Michael Bjornson
Beyond Narrative
HEADBONES GALLERY
June 21 - July 26, 2014
UPCOMING
Chak Man Lei
HEADBONES GALLERY
August 1 - September 6
LINKS
Island Mountain Arts
Arts Wells
Residency Application
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Michael Bjornson
Beyond Narrative
Opening Reception 6-8.30PM - Saturday, June 21,
2014
Headbones Gallery is pleased to host “Beyond
Narrative” an exhibition by Michael Bjornson with an
opening reception on
Saturday, June 21
from 6 until
8:30
PM with the artist in attendance.
Born in Vancouver, Bjornson went to UBC for a degree
in Art History and then a second degree from UBC in
Architecture. He was a practicing architect for many
years as well as being involved in the film business
in
Vancouver. He opened the
Third Street Gallery which he curated and directed
for ten years and then joined forces with Sherri
Kajawara in Bjornson Kajawara Gallery. Both
galleries were renowned for contemporary and often
edgy art works. He subsequently attended and
graduated from Emily Carr at the same time as the
Young Romantics.
When the gallery closed in 2010 he immersed
himself in creating. His philosophy is inclusive and
he has a working relationship with
artists
Kitty Blandy and Geoff Carter collaborating on
paintings, drawings and installations. “Beyond
Narrative” brings to the fore recent solo paintings.
Bjornson's
haunting portraits, somewhat reminiscent of the work
of Edward Munch or Francis Bacon, depict man in a
sociological framework that points to a potential
for isolation.
He
also brings a psychological presence into the
picture that is as palpable as the portrait. The
feeling of psychosis is not an active, violent, or
disturbed concentration, however, but a poignant and
beautiful appreciation of melancholy. Like Goethe’s
young Werther the sentiment is drenched in perfumed
romance.
Perhaps it is the time spent working in film that
brings a sense of drama to his paintings.
As Bjornson
endeavors to develop visual narratives,
he frequently moves back and forth with images,
ultimately reaching an edited and/or reconstructed
version that suggests a time of acceptance.
Michael Bjornson’s
identification with story-telling moves beyond the
physical plane to evoke a more colourful and complex
set of personalities. He creates a world peopled
with characters who appear to have colourful foibles
and in doing so he invites us into the picture as
well.
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