Landon
Mackenzie, recipient of the inaugural Ian Wallace Award
for Excellence in Teaching in 2009, teaches at Emily
Carr University of Art + Design in Vancouver and is no
stranger to the Okanagan. Her exhibition Parallel
Journey: Works on Paper (1975 – 2015), curated by
art historian Liz Wylie showed at the Kelowna Art
Gallery in 2016.
Of the six
paintings and eleven paper works in the Headbones
Gallery exhibition, Mackenzie refers to her works on
paper as a parallel practice to the production of her
large works in painting that she is critically
recognized for. Her accomplishments are formidable and
her works can be seen in significant national museum,
embassy and corporate collections.
Paul Mathieu
is also an international presence in the art world,
recognised for his work in ceramics. He too teaches at
Emily Carr University of Art + Design in Vancouver where
he has led cutting edge research into new possibilities
with ceramics and has published extensively.
Headbones
Gallery is exhibiting twelve of his Kiss Bowls,
works made in Jingdezhen China where all of the services
that carry an idea through to a physical end were at his
disposal and backed by over a thousand years of
perfecting porcelain. The history of Jingdezhen and
porcelain was as dramatic as the gold rush for making
porcelain was an art guarded by the Chinese and bartered
as world trade expanded. In The Kiss Bowls Paul
Mathieu shows that there is more connectivity than
protection in contemporary art practices.
Rightside Up reinforces the scope made possible
when two artists with evident mutual affection and
respect for the other’s works exhibit in tandem while in
turn their works inspire others. Informed and
confident, each artist maintains a mature practice that
can helps us to override the cacophony of modern
dissonance.